Its Own Infinite Flower is the performing moniker of Tasho Nicolopulos in techno ambient guise. The name that comes from Aleister Crowley’s 1905 ode to the Rosicrucian ‘Rosa Mundi’ and a symbol of the meeting ground where esoteric and erotic semiotics overlap. In similar fashion Nicolopulos’s synth explorations, which XLR8R calls “crystalline cosmic fuzz” approach performance as a ritual mode similar to a seance or a conjuration.

Nicolopulos is a fixture in the Bay Area underground music scene, working as a live mixing engineer at popular live venues in San Francisco in addition to his experience in the studio setting.